From the Tate Liverpool’s website:
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Nam June Paik, in collaboration with Norman Ballard
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In an era of reality television and the continual rise of the web, The Future is Now examines the legacy of Paik’s thinking and practice with a focus on performance and identity, situated within current debates around new technologies, ubiquity and human experience. Through innovative web adventures and conversations chaired by Will Gompertz, Arts Editor at the BBC and previously Director of Tate Media, speakers and performers including collaborators of Paik, contemporary artists and theorists, consider how artists are constrained or liberated by a constant re-imagining of the future. Participants include Roy Ascott, Jeremy Bailey, Ruth Catlow, John Hanhardt, Kristin Lucas and Marisa Olson.
Programme
10.00-11.00 Exhibition viewing: Nam June Paik
11.00-11.15 Satellite performance – Jeremy Bailey
11.15-11.30 Welcome – Will Gompertz
11.30-12.30 Keynote & Q&A – John G. Hanhardt
12.30-13.00 Performance – Anton Lukoszevieze
13.00-14.00 Lunch
14.00-14.15 Satellite performance – Kristin Lucas
14.15-15.15 Keynote – Roy Ascott in conversation with Mike Stubbs
15.15-15.30 Satellite performance – Marisa Olson
15.30-16.00 Presentation – Ruth Catlow
16.00-17.00 Panel Discussion & Q&A
The event is followed with a performance by squib-box in the FACT bar from 17.00
Please note this event will take place at FACT, 88 Wood Street, Liverpool, L1 4DQ.
Generously supported by Mr Yongsoo Huh
With additional support from the Henry Moore Foundation and Picturehouse at FACT
Leonardo Electronic Almanac (LEA) and ISEA2011 Istanbul
£35 (£30 concessions), booking required
Price includes lunch, refreshments and entrance to the Nam June Paik exhibition at Tate Liverpool. Conference tickets can also be purchased from the FACT shop. Please leave your email address when booking a ticket and you will be contacted to pose a question in advance to conference speakers.
or call 0151 702 7400.
Roy Ascott is an artist and theorist whose research is invested in cybernetics, technoetics, telematics, and syncretism. His international exhibitions range from the Venice Biennale to Ars Electronica. His retrospective exhibition, The Syncretic Sense, was shown at Plymouth Art Centre in 2009, then in Korea in 2010 at the Incheon International Digital Art Festival, and opens in London at SPACE in April 2011. His theoretical work is widely published, translated, and referenced. He is the founding president of the Planetary Collegium, an international platform for art, technology and consciousness research, based in Plymouth University, with nodes in Milan and Zurich. He has held senior academic positions in San Francisco, Los Angeles, Minneapolis, Vienna and Toronto, and is an Honorary Professor of Aalborg University, Copenhagen, and Thames Valley University London. He lectures world-wide. He has advised media art institutions in Australia, Europe, Japan, Korea, South America, and the USA. He edits Technoetic Arts and is an Honorary Editor of Leonardo.
Jeremy Bailey is a Toronto-based new media artist whose work explores custom software in a performative context. Powered by humour and computer vision, his work wryly critiques the uneasy relationship between technology and the body while playfully engaging the protocols of digital media (Greg J Smith, Rhizome). His work has been featured in numerous exhibitions and festivals internationally.
Ruth Catlow, artist and co-founder/director (with Marc Garrett) of Furtherfield a grass roots, dynamic, creative and social nerve centre – online and in physical space at the Furtherfield Gallery (formerly HTTP) in North London – where upwards of 26,000 contributors worldwide have built a visionary culture around co-creation – swapping and sharing code, music, images, video and ideas. Ruth works at the intersection of art, technology and social change with a focus on ecological themes, infrastructures and processes. She contributes to publications, books and conferences and has participated in exhibitions at CCA, Glasgow; The Baltic, Gateshead; Limehouse Town Hall, London as well as galleries in Zagreb, Madrid and Detroit and has work featured on DVblog, the Rhizome Artbase and The Digital Kitchen. Ruth runs Digital Art and Design degrees at Writtle School of Design, part of Essex University.
John G. Hanhardt is senior curator for media arts, Nam June Paik Archive, Smithsonian American Art Museum. Since beginning his career at the Department of Film at the Museum of Modern Art, he has curated film and media arts at the Walker Art Center, the Whitney Museum of American Art, and the Guggenheim Museum.
Kristin Lucas is a New York-based multidisciplinary artist working with video, installation, performance, and interactive Web projects. Lucas addresses the complexity of our relationship to the digital realm, such as its effect on human psychology and regimes of thinking. Reversing a popular concept of infusing humanity into machines, Lucas maps technological concepts into her life, making evident their presuppositions and flaws, and raising questions about the gap between virtual and lived realities. Her artwork is represented by Postmasters Gallery and videos are distributed by Electronic Arts Intermix in New York.
New York-based artist Marisa Olson has presented at Tate Modern, BFI, Centre Pompidou, 52nd International Biennale di Venezia, Whitney Museum of American Art, New Museum of Contemporary Art, Edith Russ-Haus fur Medienkunst, Nederlands Instituut voor Mediakunst/ Montevideo, the Sundance Film Festival, and at numerous other arts venues and internet websites, the latter especially as a founding member of Nasty Nets, the original “internet surfing club.” She has been written about in ArtForum, Art in America, Folha de Sao Paolo, Liberation (Paris), the New York Times, the Village Voice, and magazines like Oyster, SOMA, Paper, and Planet. She has also written essays and reviews that have appeared in Flash Art, ArtReview, MUTE, Wired, Afterimage, and numerous internet weblogs, including Rhizome, where she was previously editor and curator. She has also curated projects at the Guggenheim, SFMOMA, White Columns, Artists Space, the Performa Biennial, and SF Camerawork, whose Journal, Camerawork, she also edited. Marisa studied History of Consciousness at UC Santa Cruz, and Rhetoric at UC Berkeley. She studied Fine Art at Goldsmiths College and is now Assistant Professor of New Media at SUNY-Purchase.
Paik’s iconic performance pieces will be re-animated and re-imagined by pioneering cellist and artist Anton Lukoszevieze, and by composer-artist co-operative squib-box, alongside performances of works by other Fluxus artists and pieces inspired by Paik. Works revisited include One for Solo Violin, Random Access, Pop Sonata and the Fluxus Champion Contest. Produced by Third Ear.