Celebrated Japanese avant-garde filmmaker, Hiroshi Teshigahara’s 1964 film Woman in the Dunes is available in it’s entirety on youtube. With its psycho-sexual undercurrent from the beginning, the film presents a seamless unity between reality and metaphor in terms of  its subject, style, and concept.  Suna no Onna‘s literal translation– “Sand Lady” registers much more as chiller flick than the saccharinized, elevated translation– Woman in the Dunes.  A gorgeously styled psychological thriller impregnated with metaphor and visual dynamism, it is also deeply concerned with the modernist (dare I pin it contemporary?)  theme of both private and interpersonal terrors associated with domestic partnership leading to psychological malaise and hysteria. (Think-Possession, The Shining, Rosemary’s Baby, A Woman Under the Influence–tons) There’s a rich tradition of this theme–cross pollinating amongst genres, and registering as different gradients on various spectra. I digress.

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